Faculty of Arts

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    An Assessment of the 'Safety' of Nigerian Women Journalists Online
    (Jos Journal of Media & CommunicaƟon Studies, 2015) Bulus Comfort; Obateru Taye C.
    Having a variety of online voices is good for democracy. The democratizing of information dissemination which the internet has brought, good as it is, continues to unveil some negative trends. Online bullying and threats are spreading and journalists are not spared. In Nigeria some women journalists have faced threats of rape; some have been attacked physically while others receive threatening graphic imagery in their inboxes or on social media platforms. Although this is evident for both genders, women appear to be more threatened. The harassment of women online is not a new concept, but in recent years it has become a cause for concern and has become a constraint for the freedom of expression for many women journalists. Nigeria, though a developing economy has seen a rapid rise in internet use. Although access to the world via the net is a good thing, there is a need to examine whether this freedom is being misused in Nigeria to stie the freedom of expression of women journalists. There is also a need to assess the level of awareness among women journalists in Nigeria, of digital threats/harassment, if there are institutions enabled to address any case that may arise and what coping strategies exist when cases arise. The Protection Motivation Theory (PMT) adapted for this study explains a process of threat and coping appraisal in which the behavioral options to diminish the threat are evaluated. The decisions that are made in a way of protecting oneself are how people respond to perceived threats. A quantitative survey of 29 members of the National Executive Council of the Nigerian Association of Women Journalists (NAWOJ) was conducted. They were purposively selected to ll in the structured questionnaire. The data was presented and descriptively analyzed using tables and percentages. The data revealed an average awareness of digital harassments mostly from social media. The data also revealed different levels of exposure to threats online and a lack of protective policies for Nigeria's women journalists. The paper notes the virtual absence of machinery to check such threats and recommends the creation of policies to protect women journalists and empower Nigerian Journalists Internet Rights Initiative (NJRI) to enforce protection and forestall a deterioration of the trend.
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    Afa’-Zinan: Journal of Theatre and Media Studies
    (2023-08-01) Jonathan Mbachaga
    Abstract The human creative skill and imagination is often a consequence of social life. Whether it comes as film, music, painting, dance or literature, art is a byproduct of life and society. It is a representation of that which already exists, a precursor text, in order to create beauty and excitement through a new manifestation. And it is in this manifestation that the mimetic is invoked. The imitation/appropriation of a pre existent text, like history, myth, literature and folktales is often examined from the binary problematic of exactitude and platitude (fidelity) or of creativity and adventure (infidelity). This paper concerns itself with Kunle Afolayan’s Anikulapo as a mimetic representation of culture and myth/history and interrogates notions of fidelity and paronomasiac infidelity. It applies filmic documentary observation as a method and formalism as a theory to argue that art may require the history and myth of a people as source material to express itself, but it is not confined to the limits of the material’s originality. It argues that mimesis is not the faithful reproduction of a matter as it is but an unfaithful reconsideration of a text as it could be. It also argues that however its dependence on a pre-existent text, an adapted text should be adjudged based on the internal workings of its own meaning-making propensities. The paper concludes that a precursory source is merely a resource, for the filmmaker, as for the artist in general; a material to be imitated as art, and art only works for the service of its own purposes and not for a slavish fidelity to accuracy and the creation of an exact equivalence. Keywords: Fidelity, Infidelity, Mimesis, Paronomasia, Resource, Anikulapo